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Charles Cham started painting at the age of five inspired by
the first movie he ever saw. It was a story about an artist
with a magic brush and everything he painted became alive. He
painted birds and they flew away. He painted fish and they swam
away in the river. Finally he painted a woman, she became alive
and they fell in love. When Charles came home that day after
the movie, he started to draw a portrait of the painter on the
floor with some cake powder belonging to his mother. That was
his first portrait.
After working as an editorial artist for a few years in Kuala
Lumpur, he went to France to paint. He became a member of the
Association des Artistes Indépendants in Aix-en-Provence
and exhibited in the Salon des Indépendants in 1990 and
1991. In 1993, he set up his studio in the old quarter of his
hometown in Malacca, Malaysia, and named it The
Orangutan House.
In 1995, he had his first solo exhibition “Yin Et Yang
Et Cetera” at the Creative Centre of the National Art
Gallery in Kuala Lumpur. This was quickly followed by other
exhibitions in the region and internationally. Since then he
has exhibited in Singapore, Hong Kong, Bali, Australia, France,
United Kingdom, Switzerland, Portugal and Malaysia.
Charles Cham’s works are based on the philosophy of Yin
and Yang – the duality of life and the attraction of opposites.
He believes that everything has another side, visible or not.
“The Yin and Yang paintings are actually multiple paintings.
They are in fact two paintings on one canvas, with each other
facing in the opposite direction.”
He is also a strong believer in the art of drawing and in the
simplicity of forms.
“Simplicity is the most profound stage one can achieve,
in art and in life.”
“There is no painting without drawing. For a painting
to be strong, it has to come from a drawing. Drawing is the
basis of it all – the mother of art. Drawing is the idea,
the thought; painting is the emotion, the expression. I believe
that drawing is thinking and painting is feeling. Therefore,
I draw what I think and paint what I feel. As there is no feeling
without thinking, there is also no painting without drawing.
Sometimes I feel more comfortable calling my works painted drawings
rather than just paintings.”
Charles Cham’s works are in the collections of art collectors
in more than 30 countries.
Prices are subject to confirmation by La Luna Gallery
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